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                         POP SONGSTER

 

I love to sing. I was probably making up new song lyrics to familiar tunes before I hit my teens. Making up my own songs? I'm not sure. There was one which went "Rain is wet, rain is wet, I'm not a betting man but I'll make you a bet: I think you'll find that rain is wet." I was singing that to the rain when I was 15. I was 18 before I wrote it down, adding new stanzas—but a lot of such songs, over the decades, never got written down. And many that were, especially the pre-digital ones, have been lost.

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From 1966 to 1990, though, I kept song lyric notebooks—and until the late 70s I was good about using them. A surprising number of those earliest songs included snatches of text and melody which I had quite literally dreamed. Everything had a tune of sorts, but I only recorded the lyrics. Mostly, they are embarrassingly florid; clumsily angsty; painfully wiseass. Over the years, though, I would go back through them and still feel connected to some; almost always I would fiddle with those more meaningful texts, striving to "rescue" them.

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The song lyrics preserved here are in chronological batches, with roughly 8-12 songs in each batch: 1966-1970; then 1971-1972; etc. After 1980 there are several gaps in my records, years where I kept no records, or I can't find my files.

 

Here at the Pop Songster tab I’m archiving some of the texts I have found and which I remain interested in. A collection of song lyrics, I feel, reading my own, can constitute the most embarrassingly frank autobiography. My hope is that the selection here presented does still convey some sense of who I have been and how I have changed; but not too confessional a sense! (Fortunately, the embarrassingly confessional material is mostly the earliest and the weakest; to exclude it is no loss.)

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I'll asterisk songs where for one reason or another the tune matters to me. E.g. because I think it fits well, or I just kind of like it, or somehow it has stuck with me; or because I wrote it first and set the lyrics to it later; or because in a dream John Lennon wrote it and sang it to me. (See "Peel a Radish," in the first folder, "Blistered Feet.") But very few of those tunes were composed on an instrument (thumb piano, whistle), and any imaginary arrangements are rudimentary.

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                         LYRIC FOLDERS

TEASER SONGS: one per folder

THE WIND IN RAGGED ROSES (1970)

 

the wind in ragged roses

the off-white scleral sky

a hill's slope of squat houses

cluttering the eye

 

the I threaded through thousands

the faces someone knows

the barely unique houses

that wind in ragged rows

 

schoolgirls in shabby blazers

sparrows in Dutch elms

the wind in trees and roses

that woos and overwhelms

 

these careful fading colours

their dusty browns and greys

these old men growing dahlias

by dual carriageways

 

these bees in our thin roses

this patch of common ground

this wind that lifts and loses

its way and gentles down

 

these quiet compromises

I’ll come to understand
the wind in ragged roses

ragged roses in the wind

SUCH A CHILD  (1971)

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I'm a child because when I was young

I was too slow to join in the games.

And I'm wild because finding my tongue

I found that it wouldn't run tame.

 

And I'm hid, because when I'm lost

I don't ever want it to show.

And I’m a kid, because needing to trust

what cool kid lets anyone know?

 

I play the fool because when I was shot

People thought that I bled for a joke.

And it's cool—to act like you’re not,

And then laugh till you cry and you choke.

 

Was I daft? It's that needing a wall

the handiest matter was mirth—

so I laughed—thinking, starting to fall,

the sound might balloon me to earth.

​

I got coy because worn on our sleeve

my heart falls in love with the spiel.

And oh boy, tries to take back and leave,

to not break like a child and to feel.

 

So I smiled, because when I'm stung,

I like to deride the bee's aim.

Such a child, because only the young

get to hide like it’s all just a game.

BLOTTO IN BLIGHTY (1973)

 

Blotto in Blighty, you in your nightie,

me with your head in my lap,

sated with kissing, and talking and listening,

and snuggled too tired to unwrap.

           

Give me your smile, and I'll give you my wine.

You give me your love, and I'll give you mine.

 

Tipsy in Totnes, agog at your hotness,

giggling over my burps,

in slurred words confessing

            what we wasted time guessing

before our sips became slurps.

           

Tomorrow hung over; tomorrow, who cares.

We make the nights ours, the nights make us theirs.

​

Tomorrow can wait, with its fuss and its fret

Tonight I've a date with the girl I like best.

 

So nice how the stars that shine down on bars

sing torch songs and dance Fred Astaire.

Still nicer the jazz of my heart’s razzmatazz

as I lie with my head in your hair.

           

Give me your smile, and I'll bring you my wine.

You give me your love, and I'll sing you mine.

​

​Tomorrow can wait, with its fret and its fuss

Tonight we make ours, as its hours make us us.

 

CANCER WARD, TERMINAL WING  (1976)

(from conversations with James Treadway, John Brewster, and Doug Brown)

 

His is

the only truth that matters—

this husk may lie in tatters,

but my soul is His.

Praise be, I’m not what’s dying of cancer,

Death asks for me, I will answer

"Jesus died for me."

Read this book—take a look

          and tell me what you think.

 

This pain

never seems to leave me,

the tablets don’t relieve me,

the treatments are in vain.

I try, but every bite upsets me,

why can’t they just let me

go back home and die?

Read my chart, listen to my heart, 

         I'm going to sink

Read my scans, make your useless plans,

          I need a drink.

 

If we

return each generation

in some new incarnation

I’d like to come as me.

I guess I’ll soon die of this cancer

but I was a dancer

my whole life said, Yes.

Read your palm, you who sit so calmly

          in the pink

Come your time, tell me how they’ll find

          you on the brink.

​Come my turn, tell me who I’ll be

          as the sea churns over me.

from OLD WISH (early 2020s?)
(a bonus song—just to hit all the decades)

 

You're such a cold dish

I'm gonna heat

I'm gonna heat you up

It's just that old wish

I wanna eat you up

 

You're like some goldfish

Here, there in your part

Here, there in your party dress

Swishing your gold swish

In, out my eyes' caress

 

Me shark, you goldfish

I wanna crash

I wanna splash your bowl

It's just that old wish

I wanna cash your haul

​

The way that your eyes flare

Like fireflies

Like fireflies like little stars

A boy feels that old dare

Gotta light up our little jars

M’EN FICHE  (1985)

 

je m’en fiche, je m’en fous

je suis riche, je suis soûl

et ça biche si je triche

donc je triche

et j’y prends goût

 

tu t’en vas, tu t’enfuis

de mes bras, de mon lit

n’en fais pas, c’est comme ça

dans ces draps

de tant pis

 

on est chair et esprit

coûter cher, c’est le prix

of our share of l’affaire

rien à faire

c’est la vie

 

car we’re tous, we are all

hanging loose, off the wall             

where our excuse, what’s the use  lets its noose

catch the fall

                                   

but je m’en fiche, je m’en fous

je suis riche, je suis soûl

et ça biche si je triche

donc je triche

voilà tout

DANCE IN THE LONG GRASS (1999)

 

Round and round with the moon in the sky

To the sound of an antique hifi

We’ll dance in the long grass tonight

 

Fireflies making eyes from the woods

Summertime in the old neighborhood

We’ll dance in the long grass tonight

 

OLD FRIENDS, GOOD WINE, SOME CANDLESHINE

A THREE COURSE MEAL OR TWO

ROUND BACK OUTSIDE, THROW THE WINDOWS WIDE

TO LET THE MUSIC THROUGH

 

Shadows arm in arm cast on the hill

The darkening charms of their boogie quadrille

As we dance in the long grass tonight

 

Toe to toe, ass to arse, cheek to cheek

Swinging low, till the stars lick the creek

As we dance in the long grass tonight

I WALK INTO THINGS  (2017 version)

(there's also a longer 2025 duet version that leans more into the conventions of song)

​

I walk into things.

This welt reddening my forehead​

comes from a kitchen cabinet.

Sometimes its glass door swings

out at me like a warhead—

one hard step will open it.

And I'll walk into things.

 

I walk into things,

especially in the night.

I've bruised both pinkie toes

this week; this right one stings

like a Jurassic insect bite.

The left just throbs and glows.

Well, I walk into things.

​

And the world's full of things!

My heart too has its bruises.

Its calluses, its qualms.

But when the stars flutter their wings,

and desire's blowing our fuses,

and the dark throws wide its arms,              I'll walk into things.

CAFETERIA SONG (2004)

 

The light that rides the racing river

The wind that winks the leaves like eyes

The rain that falls in staves of silver

The storm that clears to starry skies

 

The way your hand lifts to the tumble

of your sweet hair, and tucks it clear

The way you smile and my breath fumbles

toiling to find the atmosphere

 

I saw you in the cafeteria

Sitting alone, reading a book

You saw me standing tray in hand there

You smiled and spoke, I smiled and shook

 

The way your hand lifts to the tumble

of your sweet hair, and tucks it round

The way you smile, and my step stumbles

toiling to find its steady ground

 

I saw you in the cafeteria

Hand to your hair, I craned to see

Sunlight in leaves, wind in wisteria

Your voice that called my name to me

 

The way your hand lifts to the tumble

of your sweet hair, and tucks it by

The way you smile, and all my jumble

clears to this star in your night sky

 

The way your hand lifts to the tumble

of your sweet hair, and tucks it right

The way you smile, and all this mumble

clears in my heart to one pure note

original site ©2021 Steven Dorsey/

post 2023 Gothic folly DIY add-ons Derek Kannemeyer

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